Category Archives: 3.5 %

Step 9: “Resisting plot is a political act”

When Lidia Yuknavitch spoke these words at her workshop last May, I scribbled them in my notebook and something broke loose. My entire life has resisted plot, and seeing my writing life in this context was more than pivotal – it’s become a daily mantra. (If you’re nodding your head, you know.) Art as an act of political resistance is the theme of Step 9, but first, a quick announcement:

melidleighIn November, I’ll be joining Lidia Yuknavitch as an online workshop leader for Epistemologies: Writing to Unmake and Remake Meaning. Over the past year, I’ve been a columnist and the curator of Corporeal Clamor, a curated series at Corporeal Writing. Part of the CW philosophy is “leading people into new and unknown territories from which they can make art,” and because I so love collaborating with other writers, this new role at Corporeal Writing sets my heart on fire.

Class begins November 4.

Over the past two years, the writers I’ve met through Corporeal Writing are part of a revolution. They’re publishing pieces like this one by my friend Marissa in Harper’s Bazaar, and last week, NPR featured artist Laura Gibson’s song “Domestication.” Laura was working on lyrics to the song when she took the “Exhausting Metaphor” workshop at Corporeal Writing a year ago. As an added bonus, Anya Pearson, who she met at the workshop, plays a character in the video.

This is what Lidia means when she calls Corporeal Writing “a creative process that values participant collaboration.” If this idea sets a fire inside of you and you’ve got something to say, come write with us.

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Step 9: Leaflets, Pamphlets, and Books

Step 9 in the “blueprint” From Dictatorship to Democracy emphasizes the critical role of artists and intellectuals in making political and social change. Lidia Yuknavitch’s The Book of Joan was released just after T– entered the White House, and the post-apocalyptic nature of the work struck a chord with the public.

From the New York Times Book Review:

“Telling the truth with precision and rage and a visionary’s eye, using both realism and fabulism, is one way to break through the white noise of a consumerist culture that tries to commodify post-apocalyptic fiction, to render it safe.” – Jeff VanderMeer, A Brilliant, Incendiary Joan of Arc Story for a Ravaged Earth, The New York Times

Throughout history, times of political turmoil have been influenced by works of art. My project 3.5% was inspired by a pamphlet by Gene Sharp that has been passed around the globe since its release in 1993. Others on the list of transgressive game-changers:

The Republic – Plato

Liberty Leading the People – Eugène Delacroix

A Room of One’s Own – Virginia Wolfe

The Jungle – Upton Sinclair

1984 – George Orwell

Beloved – Toni Morrison

To Kill a Mockingbird – Harper Lee

When Things Fall Apart – Chinua Achebe

50 books that changed the world.

15 Banned Books

What’s on your list?

Share it in the comments.

Step 8: Girl, hold my earrings

Before I move on to Step 8, you’ve probably heard that today is the last day to register to vote in most states. A lot of people still haven’t. On Sunday, Taylor Swift’s Instagram post encouraging her 112 million followers to vote saw a flood of new registrations nationwide.

“We are up to 65,000 registrations in a single 24-hour period since T. Swift’s post,” said Kamari Guthrie, director of communications for Vote.org.

Not sure if you’re registered to vote? Vote.org makes it easy. Pass the link around – send an email, post it on social media, or text your contacts with the link.

Once you fill in your address, here’s what you’ll see. It’s that easy.

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Step 8: Banners, Posters, and Displays

Step 8 in the blueprint for democracy does two important things: it sends a visible, often viral message and it strengthens the resolve of the 3.5%. That’s how this plan works: when one of us needs more coffee, there’s always someone waiting with refills.

“Girl, hold my earrings.”

– Statue of Liberty, Women’s March on Philadelphia, January 2018

 

photo credit: Leigh Hopkins

 

“Researchers used to say that no government can survive if just 5% of its population rose up against it, but what the research showed is that no single campaigns failed during the time period after they’d achieved the active sustained participation of just 3.5 percent of the population.” – Erica Chenoweth