Method 26: Paint as Protest

Tuesday night’s State of the Union was a gorgeous example of the effectiveness of Nonviolent Method 18. The sea of Congresswomen in white couldn’t be overlooked – not by the viewing audience and especially not from the podium.

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The rest of the SOTU caused me to flip between CNN and old episodes of Survivor after my partner asked, “Are you really going to curse at the screen every fifteen seconds?” (Answer: “F*&K YES … the likes of which has never been seen!!!”)

Former CIA Director John Brennan, a frequent critic of 45, said this of the State of the Union address: “I think Donald Trump raised to a new level,” he said, “the demagoguery, the hyperbole, the chauvinism, and even the misrepresentation on a lot of the issues, including on the foreign policy and national security front.”

For more on how how the rhetoric of dictators can bring down democracies, check out this article.

Method 26: Paint as Protest

Paint as a tool of nonviolent resistance can take many forms – as graffiti, on buildings, walls, or bodies, or symbols drawn on official portraits. In August 2017, graffiti resembling the work of the illusive artist Banksy appeared on Israel’s security barrier in the West Bank city of Bethlehem.

In June 2018, six new murals appeared in Paris to protest the French government’s anti-refugee policies. The first image in the slideshow below depicts a young girl spraying a pink wallpaper pattern over a swastika on a wall next to her sleeping bag and teddy bear in an attempt to make her patch of pavement more homelike.

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Art historian Paul Ardenne said it does not matter if the murals are by Banksy, but they do “show that the Banksy effect, and its ability to manipulate the media, works.”

3.5% Project




“Researchers used to say that no government can survive if just 5% of its population rose up against it, but what the research showed is that no single campaigns failed during the time period after they’d achieved the active sustained participation of just 3.5 percent of the population.” – Erica Chenoweth

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